The word “casino” evokes images of elegance, luxury and refined leisure. Some of the world’s most famous casinos, such as the legendary Casino de Monte-Carlo, have become a worldwide symbol of elite entertainment and sophistication. But not all casinos are equal. Some have a darker side. In fact, some are even run by organized crime groups.
Martin Scorsese’s Casino is a masterful depiction of these dark, seedy underworlds. The film features a stellar cast of characters mired in violence and treachery, and there are no heroes here, only victims. But what makes the movie so compelling is that it never veers into mawkishness or melodrama. Instead, it is a sharp and gripping thriller that manages to hold our attention through its unrelenting pace and tension.
This film is a fascinating look at the darker side of casinos, and at how the mob eventually lost control of Vegas to big gambling corporations. It is also a cautionary tale about the dangers of addiction and compulsive behavior. But most of all, it is a reminder that gambling is not meant to be a profitable venture. It is simply an entertainment. That’s why it is important to set limits for yourself before you head to a casino. Whether you are playing online or in person, it is a good idea to start with a fixed amount of money that you can afford to lose and stick to it. This way, you will avoid wasting your hard-earned dollars.
The film begins with a car bombing and narration by Sam “Ace” Rothstein, who explains how the mob skimmed millions of dollars from Vegas casinos. Then, the story moves to the present day, where casinos are now big business and run like giant multinational corporations. The film’s first hour feels like a documentary, and it is gripping until the end.
Robert De Niro gives an outstanding performance as Rothstein, and Sharon Stone is also terrific as Ginger. Scorsese also deserves high praise for his editing, which is impeccable. He is a master of camera movement and angles, and knows how to frame his shots to create maximum impact.
Although some critics feel that Casino is a notch below Scorsese’s best work, such as Taxi Driver and Raging Bull, it is still an epic and a true masterpiece. It is a perfect example of how the director has that implacable film sense that so few others have. His instinct for what shot should follow which is a gift that few directors have. In addition, his use of editing and the way he captures the euphoria of gambling is nothing short of brilliant. It is a must-see for any fan of cinema.